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The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a
series of readers designed for those interested in the ways images
function within a wider set of cultural practices. Volume I of the
series, Repetition, Reproduction, Circulation, addresses the
multiple life cycles of the image-its modes of dispersion,
reception, consumption, and aggregation-and the significance of
technological reproduction for contemporary forms of social,
cultural, and political life. Volume I of the series, Repetition,
Reproduction, Circulation, addresses the multiple life cycles of
the image-its modes of dispersion, reception, consumption, and
aggregation-and the significance of technological reproduction for
contemporary forms of social, cultural, and political life. The
image is considered both a tool for liberation and a means of
repression within the evolving structures of modern life. The
essays consider the implications of the nature and effect of the
reproducible image on the categories, shapes, and aims of
contemporary art and society. Further grounded by two interviews
with practitioners in the field, Repetition, Reproduction,
Circulation promises to be an accessible, rigorous, and timely
resource for all students, educators, and practitioners of
photography.
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Michelle Lopez: Ballast & Barricades (Paperback)
Michelle Lopez; Foreword by John McInerney; Text written by Aruna D'Souza, Alex Klein; Interview of Joselina Cruz, …
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R819
R680
Discovery Miles 6 800
Save R139 (17%)
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Ships in 10 - 15 working days
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The Saints (Paperback)
Paul Pfeiffer
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R1,027
R833
Discovery Miles 8 330
Save R194 (19%)
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Ships in 12 - 17 working days
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The centerpiece of this catalog is Pfeiffer's sound and video
installation "The Saints," a restaging of the legendary 1966 World
Cup final between West Germany and England in London's Wembley
Stadium. Pfeiffer hired one thousand Filipinos who gathered in a
movie theater in Manila, where they cheered in accompaniment to a
restaging of the 1966 match, based on original film and sound
material.
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